Oz the Great and Powerful (2013) [Blu-ray]
Adventure | Family | Fantasy
Disney's fantastical adventure Oz The Great And Powerful, from the director of the Spider-Man trilogy, follows Oscar Diggs (James Franco), a small-time circus musician with dubious ethics. When Diggs is hurled away to the vibrant Land of Oz, he thinks
he's hit the jackpot - until he meets three witches (Mila Kunis, Rachel Weisz and Michelle Williams), who aren't convinced he's the great wizard everyone's expecting. Reluctantly drawn into epic problems facing Oz and its inhabitants, Oscar must find out
who is good and who is evil before it's too late. Putting his magical arts to use through illusion, ingenuity - and even some wizardry - Oscar transforms himself into the great Wizard and a better man as well.
Storyline: Oscar Diggs, a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. At first he thinks he's hit the jackpot-fame and fortune are his for the taking. That all
changes, however, when he meets three witches, Theodora, Evanora, and Glinda, who are not convinced he is the great wizard everyone's been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out
who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.
Written by Walt Disney Studios Motion Pictures
Reviewer's Note: Reviewed by Kenneth Brown on June 7, 2013 -- News that The Wizard of Oz would be receiving a prequel -- from Disney no less, and without carte blanche access to all the elements from the original MGM
classic -- was greeted with equal parts curious excitement and curious indignation. The announcement that Oz the Great and Powerful would be directed by practical effects master Sam Raimi and might just star Hollywood's current most valuable
A-lister, Robert Downey, Jr., offered Oz travelers more hope, but only for a time. Downey, Jr. soon declined the role of the titular wizard, and Johnny Depp followed suit. James Franco eventually earned leading man status, having previously worked with
Raimi on the director's Spider-Man trilogy, but Franco's casting didn't inspire much confidence. The film's subsequent theatrical trailers didn't help, no thanks to a glaring CG sheen and skewed design sense many criticized for being more akin to
Alice in Wonderland than The Wizard of Oz. Curiosity obviously remained high for the duration -- the prequel grossed $220 million in the U.S. and $490 million worldwide -- but audiences and critics seem to agree: for all its grand
fantasy-scapes and grander ideas, Oz the Great and Powerful lacks true intelligence, heart and courage.
Kansas, 1905. Two-bit magician and womanizer Oscar Diggs (James Franco) is whisked away to a magical land that bears his stage name: Oz, home to strange creatures, deadly forests, a towering emerald city and three witches. The youngest of the witches,
Theodora (Mila Kunis), mistakes Oscar's tricks for genuine magic and becomes convinced he's the wizard of prophecy, destined to overthrow the mysterious and monstrous Wicked Witch, who's been terrorizing the land since the death of the King of Oz. Her
older sister, royal advisor Evanora (Rachel Weisz), isn't so easily swayed by Oscar's silver tongue and sleight of hand, and sends him into the Dark Forest to track and kill the Wicked Witch before handing over the scepter and throne. Instead of a vile,
wicked spellcaster, though, Oscar and his new friends -- Finley (Zach Braff), a kindly flying monkey, and China Girl (Joey King), a fragile porcelain doll -- meet Glinda the Good (Michelle Williams), a banished witch falsely accused of her father's
murder. Now, with the help of the peoples of Oz, a city herald by the name of Knuck (Tony Cox) and Tin Man inventor, the Master Tinker (Bill Cobbs), Oscar races to find a way to defeat the Wicked Witch and restore order to the realm.
Somewhat ironically, poor Oscar doesn't run into nearly as many obstacles and pitfalls as poor Raimi. Producer Joe Roth is all too keen on pressing Oz the Great and Powerful into the Alice in Wonderland mold, unless I'm mistaken and Raimi is
just really, really fond of Tim Burton's 2010 animated... ahem, live-action reimagining. The script, from Mitchell Kapner and David Lindsay-Abaire, is full of imaginative puzzle pieces, prequel playfulness and semi-clever subplots, but fails to
make the dialogue the least bit engaging, the denizens of Oz all that intriguing or intelligent (how dim-witted can three powerful witches be?) or the world and its magic the least bit cohesive. Then there's the over-reliance on flashbang visual effects,
brimming with shiny plasticity, cartoonish CG creatures and environments, hitchy digital doubles and easy-to-spot seams that render the VFX a good ten years past their prime. Last but not least, the talented but tipsy cast, presumably at Raimi's
insistence, ooze charisma and early 20th century stage theatricality; albeit to the point of being utterly uncharismatic and unconvincing, overacting and under-delivering. Franco is too thin a presence for such heavy lifting, Braff is simply miscast,
Kunis is out of her depth (particularly in the third act), Williams doesn't bring much to the table, and Weisz is the only one on screen who demands any real attention. Combined with all the CG, Raimi's Oz isn't magical and wondrous, it's hollow and oddly
mechanical.
And while all that may make it sound like Oz the Great and Powerful is a failure of great and powerful proportions, I actually found myself enjoying long stretches of the film. The first act is by far the most problematic, as Raimi searches for a
singular tone and the cast struggle to find a foothold, and the Land of Oz is at its most disjointed. The opening black-and-white nod to The Wizard of Oz (which should be sepia-toned, *rabble rabble*) and our introduction to Oscar is even worse,
with only a brief beat leaving a mark (a wheelchair-bound little girl played by King begs Diggs to heal her legs). Despite Oscar's cold open and even colder (but oh-so-colorful) arrival in Oz, the march towards the would-be wizard's confrontation with the
true Wicked Witch slowly but surely gets better as it goes, culminating in a fun, surprisingly intense bit of third-act trickery bursting with, at long last, legitimate movie magic and narrative strength. It isn't hard to see what attracted Disney to the
twisted mind that helmed the original Evil Dead films: Raimi's Spider-Man series, a wildly successful franchise that, failed third entry or no, made the director a promising prospect and something of a sure-thing when it came to rebooting as
recognized and beloved a property as L. Frank Baum's Oz. And it's that same measured id that allows Oz the Great and Powerful to gain and ultimately maintain momentum.
More delightful is the film's 3D presentation, which actually makes for a more entertaining experience. Though built on the backs of endless 3D gimmicks, there's a delirious energy to all the carnivorous plants, dive-bombing monkeys, surging rapids,
toothy river fairies, jutting emerald crystals, and billowing fireballs to thoroughly demonstrate Raimi's penchant for 3D showmanship. The camera leaps and swoops, glides and falls; the creatures of Oz charge and lunge, pounce and attack; cities and towns
loom and extend into the distance, while endless fields of flowers, dark forests and sprawling mountain ranges disappear into the horizon. What Oz the Great and Powerful lacks in cohesion and inspiration, it tacks on with feverish, sometimes
dizzying 3D, and it's clear that Raimi's Oz was built to take full advantage of the format, from the ground up. The added assault on the senses even distracts from some of the film's bigger problems, making its 2D counterpart feel even flatter and
less whimsical. Is the 3D version of the film the wonderful wizard Disney and the filmmakers hoped it would be? Perhaps in part, but it still falls short. It may take a sequel to prove Raimi and company truly have something up their sleeves.
Note: I've given the 3D version of the film itself a higher score than the 2D version. This does not account for the technical quality of the 3D Blu-ray presentation and experience, which has been detailed and scored
separately in the video section below.
Oz the Great and Powerful never ascends to the heights of The Wizard of Oz, and certainly won't ever be hailed a timeless classic. Comparisons almost seem unfair. And yet that's precisely the comparison that haunts the production. Nothing
quite clicks into place -- the script, the cast, the visual effects -- and there's more Alice in Oz than anything more substantial or magical. Still, Raimi eventually finds his footing and Oz, for better or worse, hits a decent stride
and finishes poised for a sequel. The 3D version is even better (so much so that I bumped its score up half a point), and honestly a bit more exciting. Disney's Blu-ray release is more consistent and satisfying than either version of the film, though,
with an excellent video transfer, a terrific 3D experience, and a strong DTS-HD Master Audio 7.1 surround track. The 3D edition's extras are only available by way of Disney's new Digital Copy Plus online service, so that's a rather irritating hassle, but
at least the content is still available in one way or another. All told, Oz isn't the great and powerful prequel it could be, but its Blu-ray debut and 3D AV presentation unite to become a formidable powerhouse.
[CSW] -2.8- Don't watch this movie with high expectations. Sit back and relax and Oz The Great and Powerful will entertain you. The acting is good and the special effects are top notch. Just don't expect too much. This film is not any thing close
to the original classic. Oz has a very simplistic story line and is definitely geared toward children. Any links to the original movie are weak at best. Yet, I found myself entertained for 2 hours and that is more than I can say about a lot of recent
movies. Someone being taken out of their element and placed in a strange new world is just amazing and reminiscent of Alice in Wonderland in a way. Oz the Great and Powerful does stumble about halfway through and never really recovers from
its trip into incredibly campy territory. Funny, charming, and imaginative, Oz the Great and Powerful is a film that lingers on the cusp of greatness but has to settle for being nothing more than acceptable.
[V4.5-A5.0 MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.
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